The moving "Riverside Scene during the Qingming Festival" comes to Taipei (photo)
The moving "Along the River During the Qingming Festival" comes to Taipei (photo) People's Daily Online Taiwanese people stop to watch. The three versions are distributed on both sides of the Taiwan Strait. Starting from July 1st,...
>People's Daily Online
Taiwanese people stopped to watch.
Three versions are stored on both sides of the Taiwan Strait
Starting from July 1, the "moving "Along the River During the Qingming Festival", known as the treasure of the China Pavilion at the Shanghai World Expo, will be displayed in Taipei.
The exhibition "Along the River During the Qingming Festival with Wisdom and Moving Jujubes" will be held at the original Taipei Flower Expo Zhengyan Hall until September 4th. According to the organizer, 100,000 tickets have been sold in advance, and in just two days of opening, the number of visitors has exceeded 10,000, which shows the expectations of the people on the island.
The exhibition is co-sponsored by the Shanghai World Expo Bureau and the Taiwan United Press Department. Upon entering the exhibition hall, the audience can see three versions of "Along the River During the Qingming Festival" on display, including the version painted by Zhang Zeduan in the Northern Song Dynasty, the version by Qiu Ying in the Ming Dynasty, and the Qingyuan version during the Qianlong period of the Qing Dynasty. The three "Along the River During the Qingming Festival" are currently in the collections of the National Palace Museum in Beijing, the Liaoning Provincial Museum and the National Palace Museum in Taipei.
Child Huang Jiayi, who is still in elementary school, exclaimed after listening to the introduction: "It turns out that both mainland China and Taiwan have "Along the River During the Qingming Festival"!" Not only the "Along the River During the Qingming Festival", but also many cultural relics, including "Dwelling in the Fuchun Mountains", "Sanxitang" Dharma stickers, "Manchu Tripitaka", "Sikuquanshu", etc., are currently hidden on both sides of the Taiwan Strait. The previous joint exhibition of "Dwelling in the Fuchun Mountains" finally came to fruition after many far-sighted people from both sides of the Taiwan Strait "succeeded one after another". The same culture is separated by a strait. The emotion expressed by the child Huang Jiayi is somewhat historical and helpless.
Dynamic technology comes to life
The dynamic version of "Along the River During the Qingming Festival" uses computer technology and cutting-edge projection technology to enlarge Zhang Zeduan's original painting of 24.8 cm wide and 528.7 cm long by 30 times, using 12 high-definition projectors to project it on a curved screen 128 meters long and 6.5 meters high.
Traffic can flow continuously, boats and boats can be decorated with lanterns and festoons, traders and footmen can shout and hawk, merchants and merchants are on the road, and the sound of boatmen blowing horns can be heard. This is the impression left on the audience by the moving "Along the River During the Qingming Festival". The prosperous style and folk customs of Bianjing, the capital of the Northern Song Dynasty more than 900 years ago, are vividly presented before people's eyes. The beauty of this moving ancient painting is that it uses 2 minutes to compare and display the day and night scenes of urban life at that time.
"The Moving "Along the River During Qingming Festival"" is on display in Taiwan. Taiwanese aesthetics master Jiang Xun believes that the exhibition will be more rewarding than the abstract art history class in the previous class. Jiang Xun said that the excitement of "Along the River During the Qingming Festival" lies in the details. Through modern technological means, the ancient paintings are "moving". Here, "Along the River During the Qingming Festival" is more like a "movie". Zhang Zeduan is the director. How many "actors" are there in the "movie"? When the image was enlarged, it was found that there were 1,068 people, and more people may jump out in the future.
In the main exhibition hall, in front of the huge and long picture, visitors stopped and watched, and sometimes they sighed and admired. Mr. Wu Siwei, who came specially from Taichung, has been filming with a camera. The old man told reporters quite excitedly: It's so shocking! It feels like being there! The wisdom of Chinese culture makes us proud!
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